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	<title>Review &#187; Profiles</title>
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	<description>Mid-America&#039;s Visual Arts Publication</description>
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		<title>AWARDING OKLAHOMA ARTISTS</title>
		<link>http://ereview.org/2011/07/01/awarding-oklahoma-artists/</link>
		<comments>http://ereview.org/2011/07/01/awarding-oklahoma-artists/#comments</comments>
		<pubDate>Fri, 01 Jul 2011 14:13:31 +0000</pubDate>
		<dc:creator>Nancy Condit</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Aaron Hauck]]></category>
		<category><![CDATA[Artspace at Untitled]]></category>
		<category><![CDATA[Frank Wick]]></category>
		<category><![CDATA[Geoffrey Hicks]]></category>
		<category><![CDATA[Grace Grothaus]]></category>
		<category><![CDATA[Leedy-Voulkos Art Center]]></category>
		<category><![CDATA[Liz Rodda]]></category>
		<category><![CDATA[Oklahoma Sustainability Network]]></category>
		<category><![CDATA[Oklahoma Visual Arts Coalition]]></category>
		<category><![CDATA[Openframeworks]]></category>
		<category><![CDATA[Pittsbrug Pattern Recognition]]></category>
		<category><![CDATA[Shannon Fitzgerald]]></category>
		<category><![CDATA[Tulsa Artists Coalition]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=17946</guid>
		<description><![CDATA[Sometimes there is good news about arts funding: For the second time, the Oklahoma Visual Arts Coalition has awarded a select group of artists to be in the "Art 365" program, which comes with a healthy honorarium, $12,000 to each. These five spent an entire year making work for the exhibition, which opened at [Artspace] at Untitled in Oklahoma City and comes to Living Arts of Tulsa July 1.]]></description>
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		<title>ALL HUCKED UP: GUNS, GALS, AND GORE IN AMERICA</title>
		<link>http://ereview.org/2011/06/06/all-hucked-up-guns-gals-and-gore-in-america/</link>
		<comments>http://ereview.org/2011/06/06/all-hucked-up-guns-gals-and-gore-in-america/#comments</comments>
		<pubDate>Mon, 06 Jun 2011 17:42:39 +0000</pubDate>
		<dc:creator>Adelia Ganson</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Printmaking]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Adelia Ganson]]></category>
		<category><![CDATA[Art Chantry]]></category>
		<category><![CDATA[Bill Fick]]></category>
		<category><![CDATA[Evil Prints]]></category>
		<category><![CDATA[José Guadalupe Posada]]></category>
		<category><![CDATA[Michael Krueger]]></category>
		<category><![CDATA[Outlaw Printmakers]]></category>
		<category><![CDATA[Philip Slein Gallery]]></category>
		<category><![CDATA[relief prints]]></category>
		<category><![CDATA[Richard Mock]]></category>
		<category><![CDATA[Sean Starwars]]></category>
		<category><![CDATA[Tom Huck]]></category>
		<category><![CDATA[Tom Reed]]></category>
		<category><![CDATA[Tony Fitzpatrick]]></category>
		<category><![CDATA[woodcut]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=17244</guid>
		<description><![CDATA[One of the interesting things about Tom Huck’s work is that many of the images in his elaborate woodcut prints are indeed based on specific realities — they are horrifying but are not made up. Huck is a native Missourian, born and raised in Potosi, and he now lives and works in St. Louis where his Evil Prints shop is located. In this profile, Huck shares his connection to both the American narrative and to printmaking masters like Albrecht Dürer.]]></description>
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		<slash:comments>1</slash:comments>
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		<title>URBAN/ENVIRONMENT: A COLLAGE OF INSPIRATION IN JANET SATZ&#8217;S WORK</title>
		<link>http://ereview.org/2011/05/10/urbanenvironment-a-collage-of-inspiration-in-janet-satz%e2%80%99s-work/</link>
		<comments>http://ereview.org/2011/05/10/urbanenvironment-a-collage-of-inspiration-in-janet-satz%e2%80%99s-work/#comments</comments>
		<pubDate>Tue, 10 May 2011 13:51:38 +0000</pubDate>
		<dc:creator>Mindy A. Besaw</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Collage]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Janet Satz]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=16983</guid>
		<description><![CDATA[Janet Satz transforms small-scale, multi-layered collages of manipulated photographs, drawings, prints, and paintings into large archival pigment prints to address environmental issues. Her latest "Urban Landscape" series was featured at the Signs of Life gallery last fall, along with works from her "Modular Series" and others. The stark scenes evoked give viewers pause as they presume the human influence behind both the natural and city scapes. ]]></description>
		<wfw:commentRss>http://ereview.org/2011/05/10/urbanenvironment-a-collage-of-inspiration-in-janet-satz%e2%80%99s-work/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>FORTY YEARS UP</title>
		<link>http://ereview.org/2011/04/20/forty-years-up/</link>
		<comments>http://ereview.org/2011/04/20/forty-years-up/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 06:00:46 +0000</pubDate>
		<dc:creator>Janell Meador</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Collage]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Printmaking]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Divergent Consistencies]]></category>
		<category><![CDATA[Hugh Merrill]]></category>
		<category><![CDATA[Kansas City Art Institute]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=15434</guid>
		<description><![CDATA[KCAI printmaking professor Hugh Merrill is celebrating a four-decade career with a new book, "Divergent Consistencies." A release and signing party is April 21, from 6 to 8 p.m., at the Leedy-Voulkos Art Center. Janell Meador gives us an outline of Merrill's motivations and trajectory, complete with a video interview produced by Ben Meade, in this profile of a diverse and dedicated artist who believes in not remaining a passive creator.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>mariaurora IN STUDIO AT LEEDY-VOULKOS</title>
		<link>http://ereview.org/2011/04/08/mariaurora-in-studio-at-leedy-voulkos/</link>
		<comments>http://ereview.org/2011/04/08/mariaurora-in-studio-at-leedy-voulkos/#comments</comments>
		<pubDate>Fri, 08 Apr 2011 19:01:24 +0000</pubDate>
		<dc:creator>Ashley Ruzich</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Collage]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Leedy-Voulkos Art Center]]></category>
		<category><![CDATA[Maria Creyts]]></category>
		<category><![CDATA[mariaurora]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=16409</guid>
		<description><![CDATA[Maria Creyts/mariaurora is on site during gallery hours at the Leedy-Voulkos Art Center through the duration of her "neoPanos" exhibition. Her photo friezes look innocent enough with their bright colors and highly texturized compositions, but they beg us to interact and to discover their creation process thorough careful examination.]]></description>
		<wfw:commentRss>http://ereview.org/2011/04/08/mariaurora-in-studio-at-leedy-voulkos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DISTINCTLY AMERICAN</title>
		<link>http://ereview.org/2011/03/05/distinctly-american/</link>
		<comments>http://ereview.org/2011/03/05/distinctly-american/#comments</comments>
		<pubDate>Sat, 05 Mar 2011 19:57:14 +0000</pubDate>
		<dc:creator>Nancy Condit</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Jonathan Hils]]></category>
		<category><![CDATA[Oklahoma City Museum of Art]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=16258</guid>
		<description><![CDATA[With references to war, wastefulness, status symbols, and general discord, Jonathan Hils uses the American automobile to symbolize a crossroads in our culture. With lace-patterns created with welding and figurative weaving, he expresses a concern for how factions of people seem to be more interested in fighting against each other than working together to fight common problems. He discusses his work in "Intersection," which was on view at the Oklahoma City Museum of Art last fall through January 2, 2011.]]></description>
		<wfw:commentRss>http://ereview.org/2011/03/05/distinctly-american/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>PUTTING CREATIVITY FIRST</title>
		<link>http://ereview.org/2011/02/03/putting-creativity-first/</link>
		<comments>http://ereview.org/2011/02/03/putting-creativity-first/#comments</comments>
		<pubDate>Thu, 03 Feb 2011 17:31:17 +0000</pubDate>
		<dc:creator>Sean Rosner</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Heather Smith Jones]]></category>
		<category><![CDATA[Lawrence Arts Center]]></category>
		<category><![CDATA[Quarry Books]]></category>
		<category><![CDATA[Rachel Saldaña]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=15082</guid>
		<description><![CDATA["Water, Paper, Paint" shows Lawrence-based artist Heather Smith Jones to be someone who finds joy in the act of creating things. Her new book and corresponding exhibition (on view at the Lawrence Arts Center through February 5) demonstrate that the creative process is as important as the so-called finished product; beauty can come from starting a project spontaneously.]]></description>
		<wfw:commentRss>http://ereview.org/2011/02/03/putting-creativity-first/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>PETER WARREN: CROSSING</title>
		<link>http://ereview.org/2010/12/30/peter-warren-cross-disciplinary/</link>
		<comments>http://ereview.org/2010/12/30/peter-warren-cross-disciplinary/#comments</comments>
		<pubDate>Thu, 30 Dec 2010 23:07:58 +0000</pubDate>
		<dc:creator>Janell Meador</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Performance Art]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Blue Gallery]]></category>
		<category><![CDATA[Iver Findlay]]></category>
		<category><![CDATA[Marit Sandsmark]]></category>
		<category><![CDATA[Peter Warren]]></category>
		<category><![CDATA[Trisha Brown Dance Company]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=14483</guid>
		<description><![CDATA[Peter Warren brings New York and new Norway experience to Kansas City, which he has called home for the past three years. A Review Studios resident added in 2010, Warren often collaborates with performers and other artists. His works are sophisticated conglomerates of carefully assembled objects he's collected and scavenged. This profile by Janell Meador includes a video interview with Warren in his studio.]]></description>
		<wfw:commentRss>http://ereview.org/2010/12/30/peter-warren-cross-disciplinary/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>FROM THE AUSTERITY OF THE KANSAS LANDSCAPE</title>
		<link>http://ereview.org/2010/11/19/from-the-austerity-of-the-kansas-landscape/</link>
		<comments>http://ereview.org/2010/11/19/from-the-austerity-of-the-kansas-landscape/#comments</comments>
		<pubDate>Fri, 19 Nov 2010 16:19:33 +0000</pubDate>
		<dc:creator>Joe Miller</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Public Art]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Denver Art Museum]]></category>
		<category><![CDATA[John McEnroe]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=10896</guid>
		<description><![CDATA[The agrarian culture of Kansas provided him drive and determination; the University of Kansas provided additional training, and now, sculptor John McEnroe has become a firm fixture in the Denver, Colorado, art scene; with several public works under his belt (including the attendant controversy that can bring), he is preparing for upcoming exhibitions in Germany and China.]]></description>
		<wfw:commentRss>http://ereview.org/2010/11/19/from-the-austerity-of-the-kansas-landscape/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>TRANSFORMING WHAT PAINTING MEANS</title>
		<link>http://ereview.org/2010/10/15/transforming-what-painting-means/</link>
		<comments>http://ereview.org/2010/10/15/transforming-what-painting-means/#comments</comments>
		<pubDate>Fri, 15 Oct 2010 20:30:36 +0000</pubDate>
		<dc:creator>Janell Meador</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Amy Myers]]></category>
		<category><![CDATA[Archie Scott Gobber]]></category>
		<category><![CDATA[Chris Ketchi]]></category>
		<category><![CDATA[Kansas City Art Inst]]></category>
		<category><![CDATA[Lester Goldman]]></category>
		<category><![CDATA[Warren Rosser]]></category>
		<category><![CDATA[Wilbur Niewald]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=12859</guid>
		<description><![CDATA["Education is nothing but a conversation," says the William T. Kemper Distinguished Professor of Painting and Chair of the Painting Department at the Kansas City Art Institute, Warren Rosser. During his long career he has contributed much to that dialogue, helping push the boundaries of what painting is and serving as mentor to a contemporary generation of artists — who continue to teach him, as well.]]></description>
		<wfw:commentRss>http://ereview.org/2010/10/15/transforming-what-painting-means/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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