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	<title>Review &#187; Mixed Media</title>
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	<link>http://ereview.org</link>
	<description>Mid-America&#039;s Visual Arts Publication</description>
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		<title>FROM MIAMI, WITH LOVE</title>
		<link>http://ereview.org/2011/11/30/from-miami-with-love/</link>
		<comments>http://ereview.org/2011/11/30/from-miami-with-love/#comments</comments>
		<pubDate>Wed, 30 Nov 2011 14:26:51 +0000</pubDate>
		<dc:creator>Darin M. White</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18966</guid>
		<description><![CDATA[December 1st through 4th: It's time for the nation's hottest art fair, Art Basel Miami, Beach, which draws artists, gallerists, collectors, and others from around the world to a balmy, frenetic art-overdose. Darin White provides an entertaining and detailed look at last year's fair. Along with a number of other KC/Lawrence artists, he's there again for 2011.]]></description>
		<wfw:commentRss>http://ereview.org/2011/11/30/from-miami-with-love/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;ARTE Y OAXACA&#8217;</title>
		<link>http://ereview.org/2011/08/26/arte-y-oaxaca/</link>
		<comments>http://ereview.org/2011/08/26/arte-y-oaxaca/#comments</comments>
		<pubDate>Fri, 26 Aug 2011 10:42:01 +0000</pubDate>
		<dc:creator>Maria Creyts</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Illustration]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alberto Toscano]]></category>
		<category><![CDATA[Armando Colina]]></category>
		<category><![CDATA[Arte de Oaxaca]]></category>
		<category><![CDATA[Centro Fotográfico Manuel Álvarez Bravo]]></category>
		<category><![CDATA[Dr. Lakra]]></category>
		<category><![CDATA[Francisco Toledo]]></category>
		<category><![CDATA[Graciela Iturbide]]></category>
		<category><![CDATA[Humberto Batista]]></category>
		<category><![CDATA[Instituto de Artes Graficas]]></category>
		<category><![CDATA[Jason Pollen]]></category>
		<category><![CDATA[Jorge Luis Borges]]></category>
		<category><![CDATA[Judi Ross]]></category>
		<category><![CDATA[Julie Baker Fine Art]]></category>
		<category><![CDATA[Luis Carrera Maul]]></category>
		<category><![CDATA[Manuel Alvarez Bravo]]></category>
		<category><![CDATA[MARCO]]></category>
		<category><![CDATA[Mike Lyon]]></category>
		<category><![CDATA[MUPO]]></category>
		<category><![CDATA[Museo de Arte Contemporáneo de Monterrey]]></category>
		<category><![CDATA[Museo de los Pintrores Oaxceños]]></category>
		<category><![CDATA[Rodolfo Morales]]></category>
		<category><![CDATA[Rowena Galavitz]]></category>
		<category><![CDATA[Rufino Tamayo]]></category>
		<category><![CDATA[Stanley William Hayter]]></category>
		<category><![CDATA[Victor Acuña]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18477</guid>
		<description><![CDATA[In April, two Kansas City exhibitions of drawings by Francisco Toledo brought Mexico City gallerists Armando Colina and Victor Acuña to the Kansas City Public Library for a discussion about Mexican art and Toledo’s work, hosted by Julián Zugazagoitia of The Nelson-Atkins Museum of Art. The exchange was a privilege, bringing awareness of contemporary art from Mexcio to Kansas City. Toledo's Oaxaca base is a city alive with new work and draws Kansas City artists there for inspiration.]]></description>
		<wfw:commentRss>http://ereview.org/2011/08/26/arte-y-oaxaca/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>FIRST FRIDAY FOLLOW-UP: AUGUST 2011</title>
		<link>http://ereview.org/2011/08/13/first-friday-follow-up-august-2011/</link>
		<comments>http://ereview.org/2011/08/13/first-friday-follow-up-august-2011/#comments</comments>
		<pubDate>Sat, 13 Aug 2011 20:49:28 +0000</pubDate>
		<dc:creator>Matt Kuhlman</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[First Friday Follow-Up]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Base Gallery]]></category>
		<category><![CDATA[Beggar's Table]]></category>
		<category><![CDATA[Cara and Cabezas Contemporary]]></category>
		<category><![CDATA[Chuck Hoffman]]></category>
		<category><![CDATA[Jessica McGan]]></category>
		<category><![CDATA[M.A. Alford]]></category>
		<category><![CDATA[Mara Baker]]></category>
		<category><![CDATA[Peg Carlson]]></category>
		<category><![CDATA[Plenum Space]]></category>
		<category><![CDATA[Rafael E. Vera]]></category>
		<category><![CDATA[Waseem Touma]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18506</guid>
		<description><![CDATA[August's installment of the First Friday Follow-Up takes a look at M.A. Alford's work at Beggar's Table; paintings by husband-and-wife team Chuck Hoffman and Peg Carlson-Hoffman at 19 Below; Waseem Touma's "Internal Formations" installation at Plenum Space; the collaboration of Mara Baker and Rafael E. Vera at Cara and Cabezas Contemporary; and Jessica McGan's "I …" series at the Base Gallery.]]></description>
		<wfw:commentRss>http://ereview.org/2011/08/13/first-friday-follow-up-august-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Loops and Swirls: Nate Fors</title>
		<link>http://ereview.org/2011/07/31/loops-and-swirls-nate-fors/</link>
		<comments>http://ereview.org/2011/07/31/loops-and-swirls-nate-fors/#comments</comments>
		<pubDate>Sun, 31 Jul 2011 05:00:19 +0000</pubDate>
		<dc:creator>Steve Brisendine</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[ArtKC365]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Public Art]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Anagrams]]></category>
		<category><![CDATA[Day]]></category>
		<category><![CDATA[Dr. Seuss]]></category>
		<category><![CDATA[Leawood]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Lollipops]]></category>
		<category><![CDATA[Nate Fors]]></category>
		<category><![CDATA[Night]]></category>
		<category><![CDATA[Transformations]]></category>
		<category><![CDATA[Whimsy]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18418</guid>
		<description><![CDATA[Where the diurnal aspect of Nate Fors' "Lllooppi" is  whimsical, almost like a Dr. Seuss creation brought to three-dimensional life, the sculpture by night is far more energetic ... but no less playful.]]></description>
		<wfw:commentRss>http://ereview.org/2011/07/31/loops-and-swirls-nate-fors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Humanity Revealed: J.T. Daniels</title>
		<link>http://ereview.org/2011/07/19/humanity-revealed-j-t-daniels/</link>
		<comments>http://ereview.org/2011/07/19/humanity-revealed-j-t-daniels/#comments</comments>
		<pubDate>Tue, 19 Jul 2011 05:00:04 +0000</pubDate>
		<dc:creator>Steve Brisendine</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Articles By Discipline]]></category>
		<category><![CDATA[ArtKC365]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Decontextualization]]></category>
		<category><![CDATA[Downtown]]></category>
		<category><![CDATA[Faces]]></category>
		<category><![CDATA[HTNB Architecture]]></category>
		<category><![CDATA[J.T. Daniels]]></category>
		<category><![CDATA[Personality]]></category>
		<category><![CDATA[Portraits]]></category>
		<category><![CDATA[Regionalists]]></category>
		<category><![CDATA[Stairway Gallery]]></category>
		<category><![CDATA[Street Art]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18344</guid>
		<description><![CDATA[J.T. Daniels mixes more conventional media with everything from spray paint to house paint to colored pencil in his portraits, giving them a fresh, contemporary street-art feeling — while also hearkening back to the Regionalist school of the 20th century in Daniels' straightforward depictions of his subjects' humanity.]]></description>
		<wfw:commentRss>http://ereview.org/2011/07/19/humanity-revealed-j-t-daniels/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Summer Sun, Something&#8217;s Begun: Susan Wilson</title>
		<link>http://ereview.org/2011/07/15/summer-sun-somethings-begun-susan-wilson/</link>
		<comments>http://ereview.org/2011/07/15/summer-sun-somethings-begun-susan-wilson/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 05:02:44 +0000</pubDate>
		<dc:creator>Steve Brisendine</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Articles By Discipline]]></category>
		<category><![CDATA[ArtKC365]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA["Grease"]]></category>
		<category><![CDATA[Artists in Group Shows]]></category>
		<category><![CDATA[Downtown Overland Park]]></category>
		<category><![CDATA[Images Art Gallery]]></category>
		<category><![CDATA[Opening Receptions]]></category>
		<category><![CDATA[Summer]]></category>
		<category><![CDATA[Susan Wilson]]></category>
		<category><![CDATA[Third Friday]]></category>
		<category><![CDATA[Warmth]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18317</guid>
		<description><![CDATA[Susan Wilson's work, part of the group show opening tonight at Images Art Gallery, is infused with warmth both visual and emotional.]]></description>
		<wfw:commentRss>http://ereview.org/2011/07/15/summer-sun-somethings-begun-susan-wilson/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Artistic Express(ion): Jan Gaumnitz</title>
		<link>http://ereview.org/2011/07/12/artistic-expression-jan-gaumnitz/</link>
		<comments>http://ereview.org/2011/07/12/artistic-expression-jan-gaumnitz/#comments</comments>
		<pubDate>Tue, 12 Jul 2011 05:00:07 +0000</pubDate>
		<dc:creator>Steve Brisendine</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[ArtKC365]]></category>
		<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Public Art]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Clay]]></category>
		<category><![CDATA[Color]]></category>
		<category><![CDATA[Heat]]></category>
		<category><![CDATA[Horses]]></category>
		<category><![CDATA[Jan Gaumnitz]]></category>
		<category><![CDATA[Lawrence]]></category>
		<category><![CDATA[Pony Express]]></category>
		<category><![CDATA[Repurposing]]></category>
		<category><![CDATA[Shape]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18276</guid>
		<description><![CDATA[Jan Gaumnitz's "Pony Express" has charm to burn, and a clear regional connection, but there's more to the sculpture than that. ]]></description>
		<wfw:commentRss>http://ereview.org/2011/07/12/artistic-expression-jan-gaumnitz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Fine, Strong Ties that Bind: Jessica Simorte</title>
		<link>http://ereview.org/2011/07/02/the-fine-strong-ties-that-bind-jessica-simorte/</link>
		<comments>http://ereview.org/2011/07/02/the-fine-strong-ties-that-bind-jessica-simorte/#comments</comments>
		<pubDate>Sat, 02 Jul 2011 05:00:45 +0000</pubDate>
		<dc:creator>Steve Brisendine</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Articles By Discipline]]></category>
		<category><![CDATA[ArtKC365]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[East Crossroads]]></category>
		<category><![CDATA[Home]]></category>
		<category><![CDATA[Important Places]]></category>
		<category><![CDATA[Jessica Simorte]]></category>
		<category><![CDATA[Nostalgia]]></category>
		<category><![CDATA[Places]]></category>
		<category><![CDATA[Plenum Space Gallery]]></category>
		<category><![CDATA[Polaroid Film]]></category>
		<category><![CDATA[small things]]></category>
		<category><![CDATA[Small Works]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18143</guid>
		<description><![CDATA[Small though Jessica Simorte's pieces might be, there's a strength in them which resists any efforts to pat them on the head and dismiss them with an indulgent "Awwww ..."]]></description>
		<wfw:commentRss>http://ereview.org/2011/07/02/the-fine-strong-ties-that-bind-jessica-simorte/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Shadows and Suggestions: Kale Van Leeuwen</title>
		<link>http://ereview.org/2011/06/30/shadows-and-suggestions-kale-van-leeuwen/</link>
		<comments>http://ereview.org/2011/06/30/shadows-and-suggestions-kale-van-leeuwen/#comments</comments>
		<pubDate>Thu, 30 Jun 2011 05:00:50 +0000</pubDate>
		<dc:creator>Steve Brisendine</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Articles By Discipline]]></category>
		<category><![CDATA[ArtKC365]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA["Ars Poetica"]]></category>
		<category><![CDATA[Archibald MacLeish]]></category>
		<category><![CDATA[Beggars Table Church & Gallery]]></category>
		<category><![CDATA[Crossroads]]></category>
		<category><![CDATA[First Friday]]></category>
		<category><![CDATA[Invisibility]]></category>
		<category><![CDATA[Kale Van Leeuwen]]></category>
		<category><![CDATA[Meaning]]></category>
		<category><![CDATA[Modernism]]></category>
		<category><![CDATA[Poignancy]]></category>
		<category><![CDATA[Silhouettes]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18078</guid>
		<description><![CDATA[Kale Van Leeuwen's current show continues his practice of providing slick, colorful, light-intensive visuals. But it also offers a new element of bittersweet poignancy ... and several ways to approach it.]]></description>
		<wfw:commentRss>http://ereview.org/2011/06/30/shadows-and-suggestions-kale-van-leeuwen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Views and Visions: Tony Peterson</title>
		<link>http://ereview.org/2011/06/26/views-and-visions-tony-peterson/</link>
		<comments>http://ereview.org/2011/06/26/views-and-visions-tony-peterson/#comments</comments>
		<pubDate>Sun, 26 Jun 2011 05:00:33 +0000</pubDate>
		<dc:creator>Steve Brisendine</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[ArtKC365]]></category>
		<category><![CDATA[Fibers]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[First Shows]]></category>
		<category><![CDATA[Juxtapositions]]></category>
		<category><![CDATA[Lawrence]]></category>
		<category><![CDATA[Lawrence Percolator]]></category>
		<category><![CDATA[Nature]]></category>
		<category><![CDATA[Patterns]]></category>
		<category><![CDATA[Photojournalism]]></category>
		<category><![CDATA[Structure]]></category>
		<category><![CDATA[Tarpaper]]></category>
		<category><![CDATA[Tony Peterson]]></category>
		<category><![CDATA[Wall Hangings]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=18062</guid>
		<description><![CDATA[Tony Peterson covers a wide range of subjects, but the nature of structures and the structures of nature are common threads in his photographic work.]]></description>
		<wfw:commentRss>http://ereview.org/2011/06/26/views-and-visions-tony-peterson/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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