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Articles By Discipline | Review

Mid-America's Visual Arts Publication

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FROM MIAMI, WITH LOVE

November 30, 2011 —

December 1st through 4th: It’s time for the nation’s hottest art fair, Art Basel Miami, Beach, which draws artists, gallerists, collectors, and others from around the world to a balmy, frenetic art-overdose. Darin White provides an entertaining and detailed look at last year’s fair. Along with a number of other KC/Lawrence artists, he’s there again for 2011.

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OF PATTERNED COLOR AND LIGHT

The work of Leo Villareal is transformational. The artist alters harsh electronic lights into soft, spellbinding luminosities, computer code into organic forms, and pulses of electricity into exhilarating environments. The first major museum survey of his work from the past decade (an exhibition originating at the San Jose Museum of Art) is on view at the Nerman Museum of Contemporary Art through September 18.

‘ARTE Y OAXACA’

In April, two Kansas City exhibitions of drawings by Francisco Toledo brought Mexico City gallerists Armando Colina and Victor Acuña to the Kansas City Public Library for a discussion about Mexican art and Toledo’s work, hosted by Julián Zugazagoitia of The Nelson-Atkins Museum of Art. The exchange was a privilege, bringing awareness of contemporary art from Mexcio to Kansas City. Toledo’s Oaxaca base is a city alive with new work and draws Kansas City artists there for inspiration.

Creative Consciousness: Stephanie Gray

Stephanie Gray’s “Casting Circles” is art with a heart … a soul … a mind … and a gentle, supportive spirit.

Light Play: Genevieve Boyle

Genevieve Boyle knows how to present familiar subjects in fresh ways and lesser-known places in an eye-catching, inviting manner.

HIDDEN BUT NOT FORGOTTEN

The Wichita Art Museum has brought out from its collection works that have been in storage for years; though there is no stated theme beyond “unseen for a while,” careful curation has grouped the 40-plus pantings, prints, and sculptures into vignettes that provoke thoughful connections. Many even have the timely feel of summer; it is well worth your time to come and see Calder, Cottingham, Christopher, Leon Kelly, Grilley, and more. Opportunity knocks through October 23.

FIRST FRIDAY FOLLOW-UP: AUGUST 2011

August’s installment of the First Friday Follow-Up takes a look at M.A. Alford’s work at Beggar’s Table; paintings by husband-and-wife team Chuck Hoffman and Peg Carlson-Hoffman at 19 Below; Waseem Touma’s “Internal Formations” installation at Plenum Space; the collaboration of Mara Baker and Rafael E. Vera at Cara and Cabezas Contemporary; and Jessica McGan’s “I …” series at the Base Gallery.

Indoor Playground: Waseem Touma

Waseem Touma’s installation is fully immersive, inviting close-up inspection and creating a sort of obstacle course through the gallery space.

She Wonders as She Wanders: Teresa Magel

Teresa Magel reveals just enough with each viewing to keep one coming back for more … and before you know it, you too might be down a rabbit hole.

First Person, Singular: Jessica McGan

Jessica McGan’s “I …” is loaded with visual expressions of all sorts of “I” words … identity, individuality, inspiration and more.

Loops and Swirls: Nate Fors

Where the diurnal aspect of Nate Fors’ “Lllooppi” is whimsical, almost like a Dr. Seuss creation brought to three-dimensional life, the sculpture by night is far more energetic … but no less playful.

Comfortable in His Skin: Kent Van Dusseldorp

For all the appreciation of the female nude, male full frontalism does tend to draw more askance glances, and Kent Van Dusseldorp’s show is a straightforward, if good-natured, confrontation of that outlook.

Dances with Light: Orval Hixon

The show of Orval Hixon’s dance portraiture is both art exhibition and history lesson, and it excels on both fronts.

“Immaterial” Matters: Chris Wubbena

Chris Wubbena’s “Immaterial” is both striking and subtle, grabbing a viewer’s attention with strong, eye-catching angles and holding it with enigmatic, faded marks — etched into the steel surface — reminiscent of ancient signs and symbols.

Fruitful Explorations: Mark Hennick

Mark Hennick’s new artistic directions have borne interesting visual fruit, in several senses.