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	<title>Review &#187; Adam Crowley</title>
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	<description>Mid-America&#039;s Visual Arts Publication</description>
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		<title>ETHEREAL, MULTI-SENSORY SCULPTURE</title>
		<link>http://ereview.org/2010/10/14/ethereal-multi-sensory-sculptures/</link>
		<comments>http://ereview.org/2010/10/14/ethereal-multi-sensory-sculptures/#comments</comments>
		<pubDate>Thu, 14 Oct 2010 15:12:58 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Cara and Cabezas Contemporary]]></category>
		<category><![CDATA[Lori Bury]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=12841</guid>
		<description><![CDATA[Combining visual work and food has an established history in contemporary art, and the idea of sharing a multi-sensory experience with works of art and with fellow audience members extends back to the idea of religious communion. Lori Bury's cell-like installations at Cara and Cabezas Contemporary offer a reason for us to take extra time to contemplate; come and taste October 16.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>IDENTITY AND RELATIONSHIPS</title>
		<link>http://ereview.org/2010/10/07/identity-and-relationships/</link>
		<comments>http://ereview.org/2010/10/07/identity-and-relationships/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 13:17:01 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Printmaking]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[June Yong Lee]]></category>
		<category><![CDATA[Youngsuk Altieri]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=12660</guid>
		<description><![CDATA[Recently at the UMKC Gallery of art, "Topographies" exhibited together work by two artists who challenge notions of identity and relationships between humans and the world around us: June Yong Lee's haunting gray-scale photographs are like fingerprints of anonymous torsos that indicate secret narratives, and Youngsuk Altieri's digital work is vibrant and creature-like and, in 3D form, literally come "alive" when viewers make noise. ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>ART AND MEDIA: HONG, MILLER, STRANDELL</title>
		<link>http://ereview.org/2010/07/28/art-and-media-liu-miller-and-strandell/</link>
		<comments>http://ereview.org/2010/07/28/art-and-media-liu-miller-and-strandell/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 14:38:22 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Byron Cohen]]></category>
		<category><![CDATA[Grant Miller]]></category>
		<category><![CDATA[Liu Hong]]></category>
		<category><![CDATA[Mary Ann Strandell]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=11167</guid>
		<description><![CDATA[Three artists react with color to the excesses of the information- and consumption-age in which we find ourselves in the 21st century: the paintings of Liu Hong and Grant Miller and the 3-D lenticular prints of Mary Ann Strandell offer three valid takes on the contemporary condition. Their work together can be seen at the Byron Cohen gallery through the end of July.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>POPULAR CULTURE PIECES TRANSFORMED</title>
		<link>http://ereview.org/2010/06/08/popular-culture-pieces-transformed/</link>
		<comments>http://ereview.org/2010/06/08/popular-culture-pieces-transformed/#comments</comments>
		<pubDate>Tue, 08 Jun 2010 15:44:53 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Applied Arts]]></category>
		<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Printmaking]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Jesse Small]]></category>
		<category><![CDATA[Sherry Leedy Contemporary Art]]></category>
		<category><![CDATA[Tom Huck]]></category>

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		<description><![CDATA[Placed in the same set of rooms, the latest work of Tom Huck and Jesse Small at Sherry Leedy Contemporary Art are successful depictions of their generation's concerns and touch deep cultural nerves, especially for those of a similar age-group. Both sets of work hold up under close inspection, offering the viewer intricate and symbolic details — political commentary and formal perfection.]]></description>
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		<slash:comments>2</slash:comments>
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		<title>PAST TRADITION, PRESENT PERSPECTIVE</title>
		<link>http://ereview.org/2010/05/07/past-tradition-and-present-perspective/</link>
		<comments>http://ereview.org/2010/05/07/past-tradition-and-present-perspective/#comments</comments>
		<pubDate>Fri, 07 May 2010 19:07:46 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Fibers]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Cara and Cabezas Contemporary]]></category>
		<category><![CDATA[Marcela Díaz]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=8337</guid>
		<description><![CDATA[Marcela Díaz’s "En Trama" employs materials and historical elements that are specific to the land that she comes from, Yucatán, Mexico, and are full of social, historical, and emotional ideas. Her installation at Cara and Cabezas Contemporary presents viewers with woven "people" who seem to be inviting us to listen to their stories quietly.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>VISCERAL OR CEREBRAL RESPONSE</title>
		<link>http://ereview.org/2010/04/16/response-is-success-visceral-or-cerebral/</link>
		<comments>http://ereview.org/2010/04/16/response-is-success-visceral-or-cerebral/#comments</comments>
		<pubDate>Fri, 16 Apr 2010 06:43:45 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Moxie Gallery]]></category>
		<category><![CDATA[Tyson Schroeder]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=7679</guid>
		<description><![CDATA[Tyson Schroeder’s watercolor and oil paintings appeal to a desire to construct a narrative around the scene they depict in "The Bastard Image," and his work is created to elicit viewer response. The remainder of the paintings also create visual narratives, and one in particular, evokes a visceral, rather than cerebral response.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>FLUXUATING CONSTRUCTION, PAINTING</title>
		<link>http://ereview.org/2010/04/14/fluxuating-construction%c2%a0painting/</link>
		<comments>http://ereview.org/2010/04/14/fluxuating-construction%c2%a0painting/#comments</comments>
		<pubDate>Wed, 14 Apr 2010 19:10:14 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Mixed Media]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Andrew Lyles]]></category>
		<category><![CDATA[Kansas City Art Institute]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=7553</guid>
		<description><![CDATA["Defining Things and Not Words" by Kansas City Art Institute senior Andrew Lyles challenges the notion of the art object, as well as addresses ideas of the body, fabrication, and composition. In his work everything is in a state of perpetual change, and he is constantly reinventing and re-appropriating his work in order, it seems, to maintain a level of invention and fabrication of art objects as just that — objects. On view at the KCAI Crossroads gallery through April 16.]]></description>
		<wfw:commentRss>http://ereview.org/2010/04/14/fluxuating-construction%c2%a0painting/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>EPIC SWIRLS, CONTROLLED ENERGY</title>
		<link>http://ereview.org/2010/03/23/metcalf/</link>
		<comments>http://ereview.org/2010/03/23/metcalf/#comments</comments>
		<pubDate>Tue, 23 Mar 2010 18:27:25 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Clint Metcalf]]></category>
		<category><![CDATA[Kansas City Artists Coalition]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=6640</guid>
		<description><![CDATA[The energy of Abstract Expressionism meets graphic precision in Clint Metcalf's "Tensionism" paintings, which at first sight, belie the meticulousness that reveals itself when given longer meditation.]]></description>
		<wfw:commentRss>http://ereview.org/2010/03/23/metcalf/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AN EXHIBITION OF VISUAL PUZZLES</title>
		<link>http://ereview.org/2010/03/19/an-exhibition-of-visual-puzzles/</link>
		<comments>http://ereview.org/2010/03/19/an-exhibition-of-visual-puzzles/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 23:33:46 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[Kansas City Artists Coalition]]></category>
		<category><![CDATA[Mallin Gallery]]></category>
		<category><![CDATA[paintings]]></category>
		<category><![CDATA[Puzzles]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=6378</guid>
		<description><![CDATA[Nancy Morrison's "Reflections" touches upon the artist's past and current life. The exhibition, on display at the Kansas City Artists Coalition through March 26, sets a fascinating visual tone.]]></description>
		<wfw:commentRss>http://ereview.org/2010/03/19/an-exhibition-of-visual-puzzles/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>PAINTINGS WITH A VISCERAL PRESENCE</title>
		<link>http://ereview.org/2010/03/17/paintings-with-a-visceral-presence/</link>
		<comments>http://ereview.org/2010/03/17/paintings-with-a-visceral-presence/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 23:57:41 +0000</pubDate>
		<dc:creator>Adam Crowley</dc:creator>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Kansas City Artists Coalition]]></category>
		<category><![CDATA[Mallin Gallery]]></category>
		<category><![CDATA[Robert Quackenbush]]></category>

		<guid isPermaLink="false">http://ereview.org/?p=6368</guid>
		<description><![CDATA[Robert Quackenbush considers structure in the paintings in his exhibition "Load Bearing," on display at the Kansas City Artists Coalition's Mallin Gallery through March 26.]]></description>
		<wfw:commentRss>http://ereview.org/2010/03/17/paintings-with-a-visceral-presence/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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